Installation view
Installation view
Chess Painting No. 66 (Duchamp vs. Lilienthal, Folkestone, 1933), 2015, gesso on linen, oak frame
Installation view
LINCOLN / WILSON (2016), cast concrete on aluminium shelf
LINCOLN / WILSON (2016), cast concrete on aluminium shelf
LINCOLN / WILSON (2016), cast concrete on aluminium shelf
LINCOLN / WILSON (detail, 2016), cast concrete on aluminium shelf
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools

Terra (2016), porcelain slip cast ceramic coated with graphite powder
A Straight Line to the Touch is Worth a Circle to the Sight (detail, 2013), graphite powder on paper
A Straight Line to the Touch is Worth a Circle to the Sight (2013), graphite powder on paper
Installation view
Three Scales (2016), cast concrete
Installation view
Installation view

Installation view (office)

Untitled (2013), graphite powder and acrylic on paper, 26 x 36cm

Untitled (2013), graphite powder and acrylic on paper, 26 x 36cm




Installation view
Installation view
Chess Painting No. 66 (Duchamp vs. Lilienthal, Folkestone, 1933), 2015, gesso on linen, oak frame
Installation view
LINCOLN / WILSON (2016), cast concrete on aluminium shelf
LINCOLN / WILSON (2016), cast concrete on aluminium shelf
LINCOLN / WILSON (2016), cast concrete on aluminium shelf
LINCOLN / WILSON (detail, 2016), cast concrete on aluminium shelf
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra Incognita (2016), cast concrete, ceramic, steel, birch ply stools
Terra (2016), porcelain slip cast ceramic coated with graphite powder
A Straight Line to the Touch is Worth a Circle to the Sight (detail, 2013), graphite powder on paper
A Straight Line to the Touch is Worth a Circle to the Sight (2013), graphite powder on paper
Installation view
Three Scales (2016), cast concrete
Installation view
Installation view
Installation view (office)
Untitled (2013), graphite powder and acrylic on paper, 26 x 36cm
Untitled (2013), graphite powder and acrylic on paper, 26 x 36cm